Narrative Writing — Telling a Story
Narrative writing is marked on two things: the quality of your ideas and the accuracy of your technical writing. Students tend to spend their planning time on plot, which is the part examiners care least about. A simple story told with controlled sentences and precise vocabulary will out-score an ambitious one that loses control.
Elements of a Good Story
| Element | Explanation |
|---|---|
| Character | Show, don't tell — reveal personality through action and dialogue |
| Setting | Establish place and atmosphere early; use setting to reflect mood |
| Conflict | Every story needs a problem or tension to drive it forward |
| Turning point | A moment of change — often the climax of the story |
| Resolution | How the conflict is resolved (or left unresolved for effect) |
Keep the plot small
The most common failure in exam narratives is attempting too much. With roughly forty-five minutes you cannot tell a story spanning years, and trying produces summary rather than writing.
The strongest exam narratives usually cover a single scene lasting minutes: one conversation, one journey, one decision. A small canvas leaves room for description and detail, which is what is actually being marked.
If you find yourself writing "the next day" or "three years later", the plot is too big.
Show Don't Tell
| Telling | Showing |
|---|---|
| "She was nervous." | "Her hands wouldn't stop trembling. She checked the clock for the fourth time in a minute." |
| "He was angry." | "The door shook on its hinges as he left. The silence he left behind was worse than the shouting." |
| "The house was old." | "Paint curled away from the window frames. Something had made a nest in the letterbox." |
| "He was poor." | "He counted the coins twice before joining the queue, and put the sandwich back." |
The principle: give the reader the evidence, not the conclusion. Trust them to work it out — that act of inference is what makes writing feel vivid.
Openings that Hook the Reader
- In medias res — start mid-action
- A striking image or unusual detail
- A dialogue line that creates intrigue
- A short, declarative sentence that raises a question
- A detail that seems ordinary but is quietly wrong
Avoid opening with waking up, with the weather as scene-setting, or with a character looking in a mirror to describe themselves. Examiners see these constantly.
Using setting to carry mood
Setting is the most efficient tool in narrative writing because it can do a character's emotional work without stating it. A character who is anxious can be placed in a room where the radiator ticks, the light is failing and a door will not quite shut.
This is pathetic fallacy when it uses weather, but it works with any detail. The important thing is selectivity: three precise details create atmosphere; ten create a list.
Sentence variety is where technical marks live
This is the most reliable way to raise a narrative grade, and it is entirely within your control.
- Vary sentence length deliberately — a short sentence after two long ones lands hard
- Vary sentence openings — not every sentence should begin with the subject. Start occasionally with an adverb, a participle, or a subordinate clause
- Use a range of punctuation accurately: semicolons, colons and dashes are credited when correct
- Prefer precise verbs over adverb-plus-weak-verb: sprinted rather than ran quickly, muttered rather than said quietly
Worked example
Telling: "I was scared as I walked into the empty house. It was dark and creepy and I wanted to leave."
Showing: "The hallway smelled of damp and something older. I put my hand on the bannister and felt it give slightly under my weight. Somewhere upstairs, a door closed. I had not opened any doors."
The second version never uses the word scared. It uses a specific sensory detail, a physical action, and a final short sentence that reframes everything before it.
Common mistakes
- Too much plot — years of story compressed into summary
- Telling emotions instead of showing them
- Overwriting — every noun given two adjectives, which slows the piece and reads as strain
- Weak endings — "and then I woke up", or trailing off because time ran out
- Neglecting paragraphing, which is assessed and is easy to get right
Exam tips
- Plan for five minutes: one scene, one turning point, one closing image
- Leave five minutes to check spelling, punctuation and paragraphing — these are marked directly
- Write a deliberate final sentence; endings are disproportionately memorable
- Start a new paragraph for a change of time, place, speaker or focus
- Use dialogue sparingly and punctuate it correctly
Key facts to remember
- Technical accuracy carries substantial marks — vary sentences and punctuate accurately
- Keep the plot to a single scene; ambition in plot is not what is rewarded
- Show don't tell: give evidence, not conclusions
- Use setting to carry mood, with three precise details rather than ten
- Plan the ending before you start so you do not run out of time